Madonna del masaccio biography
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Summary of Masaccio
Masaccio is often credited as the first truly Renaissance artist. A tragically early end to his life cut short his progress, yet his outstanding work altered the course of Western art. The Early Renaissance was a time of cultural flourishing in Florence, and Masaccio was able to take advantage of the significant patronage of the arts among the nobility, who were keen to show off their wealth and prestige in the form of alter-pieces and friezes decorating private chapels. Little is known about his life; what we do know is that his work was unlike that of any other artist working in Florence at the time, following a rational approach that would come to characterize the broader Renaissance.
Accomplishments
- One of the most significant innovations in art - and no less architecture and engineering - during the Renaissance, was the use of linear perspective to create the illusion of depth in a two-dimensional rendering. Masaccio took inspiration from the architect
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Biography
Masaccio (?), the first great painter of the Italian Renaissance, whose innovations in the use of scientific perspective inaugurated the modern era in painting.
Masaccio, originally named Tommaso Cassai, was born in San Giovanni Valdarno, nära Florence, on December 21, He joined the painters guild in Florence in His remarkably individual style owed little to other painters, except possibly the great 14th-century master Giotto. He was more strongly influenced bygd the architect Brunelleschi and the sculptor Donatello, both of whom were his contemporaries in Florence. From Brunelleschi he acquired a knowledge of mathematical proportion that was crucial to his revival of the principles of scientific perspective. From Donatello he imbibed a knowledge of classical art that led him away from the prevailing Gothic style. He inaugurated a new naturalistic approach to painting that was concerned less with details and ornamentation than with simplicity and unity, less with flat
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Masaccio (December 21, – autumn ), born Tommaso di Ser Giovanni di Simone, was the first great painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at recreating lifelike figures and movements as well as a convincing sense of three-dimensionality.[1]
The name Masaccio is a humorous version of Maso (short for Tommaso), meaning "big", "fat", "clumsy" or "messy" Tom. The name may have been created to distinguish him from his principal collaborator, also called Maso, who came to be known as Masolino.
Despite his brief career, he had a profound influence on other artists. He was one of the first to use Linear perspective in his painting, employing techniques such as vanishing point in art for the first time. He also moved away from the International Gothic style and elaborate ornamentati