Masakatsu sashie biography channel
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Giant Robot Biennale
50 Issues
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In celebration of its 50th issue and in collaboration with the Japanese American National Museum, the pop-culture magazine Giant Robot has assembled works by ten cutting-edge artists from around the country in Giant Robot Biennale: 50 Issues.
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Bios
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Bios
In celebration of its 50th issue and in collaboration with the Japanese American National Museum, the pop-culture magazine Giant Robot has assembled works by ten cutting-edge artists from around the country in Giant Robot Biennale: 50 Issues.
Share
Bios
Share
Bios
In celebration of its 50th issue and in collaboration with the Japanese American National Museum, the pop-culture magazine Giant Robot has assembled works by ten cutting-edge artists from around the country in Giant Robot Biennale: 50 Issues.
APAK
Ayumi and Aaron Piland are the fantastical magical duo known as APAK. They are a husband and wife collaborative art group who live
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The painting above typifies the work of Masakatsu Sashie. I read a bunch of articles to see what other people think of this work, but, ultimately theres a danger in fixing an interpretation to it, in which case the art becomes an illustration of an idea, or worse, a useful prop or visual aid for someones propaganda. Once people ascribe a meaning to a painting, they can stop looking. It reminds me of a story of the Buddha refusing to answer the question of whether or not there is life after death. Supposedly he said that people would just accept his answer, close the book, and go on as if hed stated the weather. So he didnt say. Thus, I recommend just taking in a few of Sashies works first, without attempting to interpret them, that is, to access them through the eyes before filtering them via the intellect. Its OK for art to be beautiful, and Id notice how beautiful this image is.
Heres another:
And one more:
What I think these paintings are is Fin
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Diana Shi
October 24,
The disarray of modern life takes shape in levitating planetary masses created from outdated appliances and junkyard fodder. They hover above litter-ridden cities in Japanese artist Masakatsu Sashies realist paintings, which tackle the maddening detritus we live with. His visions of oversized spheres, shedding old air conditioning units and TV sets, serve as a necessary reminder of the amount of waste humanity produces. The series depicting a dilapidated post-modern world is titled External Effect.
The collection of hyper-detailed paintings fryst vatten currently at Jonathan LeVine Gallery in New York City. In the shows description, Sashie cites the Nobel Prize Winner, Konrad Lorenz, as one his sources of inspirations. Lorenz’s book King Solomon’s Ring: New Light on Animal Ways describes the scientific conditions necessary to create a “balanced aquarium.” Sashie’s paintings allude to this idea of environmental equilibrium and the search of harmony in a wo