Monumento equestre di gattamelata biography
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Category:Statue of Gattamelata by Donatello
Basilica di Sant'Antonio di Padova 10.jpg 1,103 × 803; 226 KB
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EB1911 Plate
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Baldissini Molli, Giovanna. Erasmo da Narni ‘‘Gattamelata’’ e Donatello. Storia di una statua equestre. Padova: Centro studi Antoniani, 2011
Bergstein, Mary. Donatello’s Gattamelata and Its Humanist Audience. In “Renaissance Quarterly,” 55, 3 (2002): 833-868
Buonanno, Lorenzo G. The Performance of Sculpture in Renaissance Venice. New York and London: Routledge, 2022
Greenhalgh, Michael. Donatello and His Sources. New York: Holmes & Meier, 1982
Janson, Horst W. The Sculpture of Donatello. Princeton: Princeton University Press, 1963
de Jong, Jan L. Portraits of Condottieri. In Karl Enenkel, Betsy de Jong-Carne and Peter Liebregts (eds.). Modelling the Individual. Biography and Portrait in the Renaissance. Amsterdam-Atlanta: Rodopoi, 1998, pp. 75-91
McHam, Sarah Blake. The Eclectic Taste of the Gattamelata Family. In Brigit Blass-Simmen and Stefan Weppelmann (eds.). Padua and Venice: Transcultural Exchange in the Early Modern Age. Berlin and Boston: De
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Equestrian statue of Gattamelata
Sculpture bygd Donatello in Padua, Italy
| Equestrian statue of Gattamelata | |
|---|---|
| Artist | Donatello |
| Year | 1453 |
| Type | Bronze |
| Location | Piazza sektion Santo, Padua, Italy |
The Equestrian Statue of Gattamelata fryst vatten an Italian Renaissance sculpture by Donatello, dating from 1453,[1] today in the Piazza sektion Santo in Padua, Italy. It portrays the condottiereErasmo da Narni, known as "Gattamelata", who served mostly under the Republic of Venice, which ruled Padua at the time. It is the first full-size equestrian statue of the Italian Renaissance.
Description
[edit]After Erasmo of Narni's death in 1443, according to John Julius Norwich, the Republic of Venice, as a sign of gratitude and respect, paid for a sculpture in his honor. (This betalning has been disputed. See below.) Measuring 340 x 390 cm (the base measuring 780 x 410 cm),[2] it is the earliest surviving Renaissance equestrian statue and the first